sarcastic fringehead

mommy of the future

Wes has been big on playing around with people’s names lately (we won’t talk about the unfortunate effects that has at school just now). This morning, as I was washing my hair, he came in and announced, “Mom-hair!”

So I said hello with my hair, as you do.

“No, Mom-hair is not just hair, it is a person with a smiley face. And it is a vegetarian.”

“Really? What’s Wes-hair?”

“Wes-hair is a meat-eater!” Pause. “And also there is a dinosaur standing on the lawn of the castle and he just loves the taste of princesses. So he ate them all up.”

“That’s a really sad story”

“Not for the dinosaur.”

Clearly, Mom-hair does not have the proper perspective on these things.

Some of you know that I’m the editor of a website dedicated to the Los Angeles and Southern California jazz scene, LAJazz.com. This week, I’m bringing my work home with me, because I cannot get over how much genuinely amazing music is coming to town.

Last night, we caught sax player Pharaoh Sanders and his quartet at the Jazz Bakery. Can I tell you how much I love that club and everyone who hangs out there? SO much, is how much. If you don’t recognize Sanders’ name, you’ll get the idea when I tell you he worked with John and Alice Coltrane back in the day; the man has not lost a step since then (or if he has, it’s a step only dogs can hear). He’s there through Saturday; if you’re in town, go. Seriously. It improved my entire outlook on life.

The next show I really want to see is Charles Lloyd this Sunday at Catalina’s. Lloyd, a reed player who’s celebrating his 70th birthday, is a legend and entirely a reason to attend on his own; however, what I’m really excited about is the addition of pianist Jason Moran to Lloyd’s quartet. Moran is quite possibly my favorite jazz musician from the younger generation, period. He’s one of those rare people who can synthesize what seems like the entire history of music into a highly original sound of his own. He also has a nice little collection of free MP3s on his website; well worth your time.

The Jazz Bakery goes on to have a jawdroppingly great schedule for the next month or so. There’s vocalist Jimmy Scott, whose distinctive phrasing and instantly recognizable soprano voice have served him in working with everyone from Lionel Hampton to Lou Reed. There’s best-kept-secret Andy Bey, a pianist/vocalist who returned from a 20-year absence from recording to release five astonishing albums over the last decade; word has it he’s better live. The mind boggles, I tell you. There’s saxophonist Lee Konitz, who rivaled Charlie Parker in the ’40s.

And there’s much more, but that’s what that other site I work on is for, right?

Even if you’re not seriously into jazz, do consider checking one of these shows out; we’re really quite fortunate to be able to see the architects of a whole genre of music playing in cozy little clubs, I think.

Everybody’s sick. The kid has been banging on a drum and singing “Yellow Submarine” past the point where it’s cute.

“Hey, do you know any other Beatles songs?”

“We all live in a yellow submarine…”

“Wouldn’t you like to sing another song?”

[Apparently not.]

“Hey! How about Johnny Cash? Can you sing me some Johnny Cash?”

“Oh! Sure!”

[A moment of silence, then the drumming resumes, then in a much deeper voice:]

“We all live in a yellow submarine…”

The first one was standard preschool stuff, but is necessary for context. While making out Valentines for all the kids in his class:

“OK, next is Joshua.”
“Joshua. I call him Dossy-wa.”
“You do? What does he think of that?”
“He doesn’t like it. He fights me to make me stop.”
“Well, don’t do that, dude! Would you like it if someone made fun of your name?”
[Deep thought]
“If he called me Wessey, then I would try to fight him to make him stop.”

The next day, in the car:

“I want all the kids in my school to come to my front door! Ethan can come to my front door, and Eliza can come to my front door, and Fiona can come to my front door…”
[This goes on until he starts having trouble thinking of names.]
“Can Joshua come to your front door?”
“Of COURSE Joshua can come to my front door!”
“Oh, so you guys are friends?”
“Of course we are!”
“I wasn’t sure, with all the funny names and fighting. So you guys are pretending?”
[With infinite patience]
“Yes. We’re like stuntmen.”

There I was, making a meal for the boy and me, when I saw it. Well, you couldn’t miss it: this big ol’ cockroach was just standing in the middle of my kitchen counter waving hi.

I did my best job at balancing “OH MY GOD there is a ROACH in my kitchen AUUUUGHHH” with trying not to freak out about a bug in front of a 3-year-old.

3-year-old: “What is it doing here?”

Me, with perhaps just a little more anguish than I’d have preferred: “Well… I don’t KNOW. I don’t KNOW why it’s here.”

“I fink I know what he’s doing.”

“You do? What?”

“He’s twying to decide what to do about you.”

That’s a strangely terrifying concept, isn’t it?

Unfortunately for Mr. Bug, he has a much smaller brain than I do and I decided what to do about him first. I’m quite certain there are no more where he came from. Right?

I know that’s what you’ve been wondering about in all this time I haven’t posted.

(Or on the off chance you’ve been instead wondering about why I haven’t posted: Mostly, because once again I had a Big Plan to slap a layout on this puppy and then post in an organized, regular fashion, and c’mon, we all knew THAT wasn’t going to happen. And yet, I dreamed. Back to One Post At A Time now. We’ll see how we do.)

A thing about me: I don’t drink. At all. Never have. Were you to meet certain unpleasant members of my family who took the opposite path, you would understand: there have not been enough cool kids born in humanity’s entire reign to balance the scales enough that drinking would seem in any way appealing to me.

Generally, this doesn’t hamper my social life; I don’t mind so much what other people are doing. However, nights such as New Year’s Eve and St. Patrick’s Day, when thousands of people take to the streets seemingly convinced that it is their responsibility to get drunk to the point of injury or property damage – those aren’t my idea of a good time. Still, if there was a concert I wanted to see, I’d usually suck it up and go anyway.

The first time I swore I’d never go out on NYE again, I only remember faintly. It had to do with my roommates and I getting stuck at a club in the far end of Brooklyn and needing to get back to Manhattan at 4am. Brooklyn/Manhattan travel was always a little fraught back then, though (is it still?); surely the holiday just exacerbated a commonplace difficulty.

Surely.

So some years later, when I no longer lived in NYC but was visiting a friend who did, and we came across a listing for Cheap Trick at Limelight on 12/31, we figured, really, what could go wrong? It’s right here in Manhattan. Sometimes they let us into that club for free. The weather’s kind of nice, all things considered. I have a super-cute new dress that needs a place to make its debut. And: Cheap Trick!

OK, so Cheap Trick were reliably wonderful. There’s that.

But the people – the people as a group had lost all of their motor skills. One guy staggered into me so many times that I finally shoved him away, prompting a little voice in my head to say, “Really? This is how it’s gonna go? You’re going to get into a slapfight with Rick from Accounting?” I can’t say for certain that he was to blame for the four cigarette holes later discovered in my cute new dress. Or the big melted patch of fake hair in my weave (SHUT. UP). But let’s call it his fault anyway.

So we survived that misery and headed out to find a cab. This is when we learned – and I have NO idea why we didn’t know this – that you can’t get a cab on NYE. Someone told us that the drivers are all allowed to turn off their meters and charge whatever they can get as a holiday bonus of sorts; I don’t know if this is true, as nobody was offering us even wildly overpriced transportation, but something was up.

We had 20-odd blocks to walk. It was about 37 degrees – snow melting, but definitely still winter. I hadn’t worn a coat (fashion!) and was sporting 3-inch heels, but that was back in the day when I could do things like walking in heels (well, most of the time) (<-foreshadowing!) so I wasn't too fussed.

So we set off for midtown, the two of us and a throng of rugged adventurers banded together by the single common interest of getting home. My being the only person in this crowd who had not imbibed, and one of the few who were not flat-out drunk, lends a special irony to what happened next, I think.

Stepping off curbs will get you every damn time. Stepping off curbs and across big puddles of snowmelt is even more treacherous. Stepping off curbs and trying and failing to step across what looks like your standard-issue big puddle but turns out to be masking a Huge Deep Hole: well, that's what happened.

I got my heel caught and went face down, landing a significant distance from both of my shoes. So hard a fall was it, several observers thought I was dead. (Cause of death: clumsy.)

When I recovered, there were problems. I was soaked from head to toe. My stockings were shredded and forming interesting patterns with the blood rushing out of about a million new lacerations. My knees were stiffening up at an alarming rate. One of my heels was broken.

And I still had nearly 20 blocks to walk in just-above-freezing weather.

This, friends, is what New Year's Eve means to me.

And the reason I'm thinking about it now is that I almost - almost - broke my long and sensible track record this year, because extremely cool and entertaining vocalist/percussionist Vinx is at Genghis Cohen, and since he left these parts for Georgia we don’t get to see nearly enough of him.

However, upon careful weighing of various factors, I can only conclude that it wouldn’t be healthy for me. You, though – if you’re the sort of person who can go out on NYE and come home not all covered in blood with your hair burned up, you might want to give this gig a shot. I would if I were you.

Tell me you don’t want to read the rest of the article that opens with this paragraph:

An ice-cream truck rolls up to the south entrance of Plummer Park on Saturday, its hi-fi speakers blasting an ethereal, toy-piano version of Beck’s “Loser.” It’s 100 degrees, but out pops a woman in a geometric, fiberglass squirrel suit. She skips over to a picnic table and joins a group of Russian men playing cards. One of the men turns and asks gruffly, in heavily accented English, “Who is this squirrel?”

(Hint: You really do.)

***

You’ve probably already seen this picture of a monkey and a pigeon. You won’t mind looking at it again, will you?

***

We went to see Joe Henry at Largo the other night, and it was utterly transcendent. I wanted to find a video that would convey the amazingness of this exact evening, this brilliant songwriter backed by a flawless band playing his new songs, some of which were so stunning you (read: I) couldn’t breathe for a minute. I didn’t find that. I did find this on YouTube, though: Henry with Billy Bragg, performing Bob Dylan and Van Morrison, and that is not too shabby either.

You should really go buy Civilians right now.

***

I usually keep my politics inside my own head, but Nerissa Nields’s long essay on the politics of food really struck a chord with me, particularly:

As I am writing this, I have the same strange mixture of anger, shame and hope that I always have when I write about the places where my desire to be a good citizen of the planet collides with my desire to be accepted as one among many fallen humans, normal people who just want to live a good life, who want to enjoy the occasional chicken McNugget and not have that moment ruined for them by a Climate Change Cassandra campaigning against junk food.

I’m not sure I’ve ever heard anyone sum up so neatly what it is that often keeps me from fully taking sides on issues I actually feel rather strongly about. So I thought I’d pass it along just in case it gives anyone else a lightning-bolt moment.

…that I am the only person who has ever had these conversations with an almost-3-year-old. (I’m not saying you haven’t have weirder or funnier ones, mind you, and in fact if you have, I feel strongly that you should post them here in my comments section.)

During a car trip:

W: I conducted my music very badly before.
Me: Oh, you did? Sorry. When was this?
W: This was when I was in my place called Pasadena. And I had a band, and I conducted Double-Decker Bus [one of his original compositions].
Me: That sounds great! Was it fun?
W: Yes! I had trombones, and a sousaphone, and tympani.
Me: Oh, cool! Where was I? At work?
W: You were not there because you were at your very own preschool!
Me: Wow, bummer.

[subject changes for a few minutes, and then]

W: Oh! There were snare drums in my band also!
Me: There were? Who played them?
W: What?
Me: Who was your snare-drum player?
W: [two beats] John Phillip Sousa.

Me: Do you want to watch some videos on the computer?
W: Yes!
Me: How about some Sesame Street?
W: How about Richard Thompson?
Me: Um… Richard Thompson? Really?
W: YES!
Me: Well, OK!

[I will provide the video for those of you who wish to fully experience the rest of the conversation in context.]

W: Why is he wearing a hat?
Me: Probably because it looks good on him?
W: Why is his guitar brown? I thought he had a green guitar.
Me: He does! He has a lot of different guitars!
W: What is this song called?
Me: 1952 Vincent Black Lightning.
W: Whaaaaat?
Me: Would you rather call it Vincent Black Lightning?
W: YES! … What is he talking about?
Me: Well, it’s a story about a guy and his girl and his motorcycle.
W: Ohhhhh.

[long pause]

W: What’s happening now?
Me: Well, uh, he gave his motorcycle to his girl.
W: Why?
Me: [making mental note not to pick song about violent death next time] Because he loves them both a lot.

[The song's pretty much over, so I scroll down to see what other RT videos are available.]

W: Wait! Go back up! I wanna see the picture! Did his little girlfriend come over?

I love that he built in his own plotline, complete with preschool-level suspense.

So what strange behavior is your child exhibiting?

It’s that photograph to your left. See?

Yeah, that one.

I want you to know I would never actually wear that outfit.

I realize my credibility is undercut here by the fact that there is a picture of me wearing it right there – a picture which I myself put up on the Internet.

What happened was – well, first imagine you haven’t slept more than three hours a night for – how old is W. there? – say, 18 months. So your judgment is impaired. Then, let’s just say you had a baby or something, and your clothes didn’t fit, and the only pants retail could offer you that did fit were made by Gloria Vanderbilt, so you have to swallow an enormous amount of your fashion pride just to make the purchase; it’s no surprise that you accidentally swallow a little too much and buy all the colors, even beige, a color you are on the record as categorically opposing.

Then one morning, in a stupor, you throw on the beige pants and a pastelly top and go to the zoo, and your good friend, say her name is Jodi, takes a really cute picture of you and your kid, and pfft! Years of fabulousness down the drain.

(I sleep now, just for the record. I’m much more vigilant now.)

Are you familiar with jazz vocalist Carol Sloane? She’s quite delightful. Today, while researching jazz weblogs for work (nice work if you can get it), I discovered that she has a blog, and my lord, is it fabulous. She’s not the first blogger I’ve read who uses language in a wonderfully precise manner, nor the first who’s laugh-out-loud funny, but I believe she is the first who can use those qualities to relate stories about, for instance, opening for Lenny Bruce.

I got the new CD by Nerissa and Katryna Nields, Sister Holler the other day. I put it on in the car last night and – well, I should tell you I have a rule. On the first listen to a new album, I don’t allow myself to hit either the Repeat or the Skip buttons. With Repeat, on a good album, I usually have to restrain myself once or twice. On a great album, it can go as high as five or six. Sister Holler? ELEVEN. I am almost certain this has never happened before; well, probably on 69 Love Songs, but that’s hardly a reasonable comparison. (For the uninitiated: It actually contains 69 love songs.) Sister Holler consists of new songs based on existing songs, in the folk tradition – some gospel, some traditional, some pop, some classical, that sort of thing. I will almost certainly post more insightfully about the music later, but I need to completely geek out and research the original songs first. Oh yes, I’m going to full-on obsess about this album. For instance, the cover photo shows Nerissa with her face completely obscured by her hair; I may be able to find evidence that she died in 1964 and was replaced by Paul McCartney.

My, that would be geeky, wouldn’t it?

You may think you don’t want to read a blog entry about a lost teddy bear. You’d be wrong in this case; this is the single best piece of writing I’ve read in recent memory.

And finally, Julie from A Little Pregnant details a common medical procedure using props and Play-Doh. Inspired. Or maybe deranged.